Byron Guinanzaca

Byron Guinanzaca is an Ecuadorian American cinematographer, photographer and cabinet-maker based in Queens, NY.

About

About Me

Byron Guinanzaca

Photographer, Cinematographer, Cabinet-maker

The versatility and adaptability of Byron makes it easy for him to take on any assignment he’s given, that combined with his sharp detailed eye and a influence from the master photographers such as Richard Avedon, Henri Cartier-Bresson and Irving Penn to name a few, gives him the necessary tools for his craft. On the other hand, his talents go beyond the visuals and come alive when he decides to build a piece of furniture. With over 10 years of experience working with wood in the custom cabinetry industry he can easily build a custom piece of furniture that adjusts to clients needs.

  • Currently based in:Queens, NY
  • Study:LaGCC
  • Speciality:Commercial Photography, Film, Cinematography
  • Hobbies:DJ, Computer Games
  • Freelance:Available

Skills

Lighting8/10
Camera Op9.5/10
Photography9.5/10

Trade Skills

Floor plans8/10
Manufacuring9/10
Installing9/10

Knowledge

  • Photoshop
  • Lightroom
  • Premier Pro, Davinci Resolve
  • Mobile Video Editting
  • Film -B&W-

Interests

  • Director of Photography
  • Studio Photography
  • Custom Furniture
  • Languages
Services

What I Do

  • 01

    Cinematography

    Cinematography is one of the key components for any movie...

  • 02

    Photography

    “Only photography has been able to divide human life into a series of moments, each of them has the value of a complete existence.” -Eadweard Muybridge

  • 03

    Woodworking - Cabinet Making

    “The life so short, the craft so long to learn.” -Hippocrates

Press

Press

  • Sprawled across Socrates’s five-acre campus and situated against the backdrop of the NYC skyline, these site-responsive works, which take the form of various iconic vessels drawn from ancient archetypes, seamlessly merge the natural and the manmade. Whether suspended in trees or rooted on terra firma, these vessels all share the same internal air and collective space. With some of the works in the series reaching up to eleven feet high, Hassinger’s sculptures provide viewers with an enhanced awareness of their bodies in public space. These works—grounded, yet light—inform and respond to the surrounding environment of city and landscape.

    Throughout her artistic practice, Hassinger has looked to the vessel for its rich history, symbolism, and resonance with the human body. She observes that “vessel” is a term often ascribed to women but asks that we free ourselves from the traditional limitations of that label, using her work to expand its meaning.

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  • Join us for our first ever workshop taught entirely in Spanish! Drawing on Sol Aramendi’s extensive experience teaching to new, spanish-speaking immigrants, we invite you to work with her and Byron Guinanzaca, for an afternoon of practicing your photography skills. This hands-on workshop is an introduction to shooting digital photography, but is open to all levels. We will be reviewing concepts such as camera settings, exposure, and composition. In addition to learning photography techniques, the group will go for a walk in DUMBO with the instructors, for a live photo shoot.

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  • Theatre of the Oppressed NYC partners with community members at local organizations to form theatre troupes. These troupes devise and perform plays based on their challenges confronting economic inequality, racism, and other social, health and human rights injustices. After each performance, actors and audiences engage in theatrical brainstorming – called Forum Theatre – with the aim of catalyzing creative change on the individual, community, and political levels.

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  • Theatre of the Oppressed is a format of theatre activities and performances that engages communities in social change. Theatre of the Oppressed NYC (TONYC) bases its work on a methodology created in the 1970s by the legendary Brazilian theatre director and activist Augusto Boal, who was himself inspired by Paulo Freire's Pedagogy of the Oppressed. As a form of activism and artistic practice, Boal’s Theatre of the Oppressed is now used in over 70 countries around the world.

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Contact

Get in Touch

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